Introduction
The Birth of the Discipline
DOI:
https://doi.org/10.58519/aesthinv.v4i2.11895Keywords:
AestheticsAbstract
Introduction to the special issue, The Birth of the Discipline
References
Axelsson, Karl. 2019. Political Aesthetics: Addison and Shaftesbury on Taste, Morals and Society. London: Bloomsbury Academic.
Axelsson, Karl, Camilla Flodin, and Matthias Pirholt, eds. 2021. Beyond Autonomy in Eighteenth-Century British and German Aesthetics. New York: Routledge.
Balogh, Piroska, and Gergely Fórizs, eds. 2018. Antropologische Aesthetik in Mitteleuropa 1750-1850 / Antroplogical Aesthetics in Central Europe 1750-1850. Hannover: Wehrhahn.
Beiser, Frederick C. 2009. Diotima’s Children. German Aesthetic Rational- ism from Leibniz to Lessing. Oxford: Oxford University Press.
Buchenau, Stefanie. 2013. The Founding of Aesthetics in the German En- lightenment. The Art of Invention and the Invention of Art. Cambridge: Cambridge University Press.
Costelloe, Timothy M. 2013. The British Aesthetic Tradition. From Shaftes- bury to Wittgenstein. Cambridge: Cambridge University Press.
Grote, Simon. 2017. The Emergence of Modern Aesthetic Theory: Reli- gion and Morality in Enlightenment Germany and Scotland. Cambridge: Cambridge University Press.
Guyer, Paul. 2014. In A History of Modern Aesthetics, Volume 1: The Eighteenth Century. Cambridge: Cambridge University Press.
Koch, Erec R. 2008. The Aesthetic Body: Passion, Sensibility, and Corpo- reality in Seventeenth-Century France. Newark: University of Delaware Press.
McQuillan, J. Colin, ed. 2021. Baumgarten’s Aesthetics: Historical and Philosophical Perspectives. Lanham: Rowman & Littlefield.
Müller, Patrick, and Christine Jackson-Holzberg, eds. 2014. New Ages, New Opinions: Shaftesbury in his World and Today. Frankfurt am Main: Peter Lang.
Norton, Brian Michael. 2020. “Aesthetics, Science, and the Theater of the World.” New Literary History 51:639–659.
Russo, Elena. 2007. Styles of Enlightenment: Taste, Politics, and Authorship in Eighteenth-Century France. Baltimore: The Johns Hopkins University Press.
Stöckmann, Ernst. 2009. Anthropologische Ästhetik: Philosophie, Psycholo- gie und ästhetische Theorie der Emotionen im Diskurs der Aufklärung. Tübingen: Niemeyer.
Vermeir, Koen, and Michael Funk Deckard, eds. 2011. The Science of Sensibility: Reading Burke’s Philosophical Enquiry. Springer.
von Mücke, Dorothea E. 2015. The Practices of the Enlightenment: Aes- thetics, Authorship, and the Public. New York: Columbia University Press.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Note: up to volume 4 issue 1, an incorrect copyright line appears in the PDFs of the articles.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).