Painting (in) the imperative form: an exploration of instruction painting
DOI:
https://doi.org/10.58519/aesthinv.v2i1.11978Keywords:
Conceptual art, paintingAbstract
Through my role as artist-curator I hope to have presented a public contemplation of how a painting might perform and instruct, to test the relationship between conceptual and painting practice, and collectively ask: what is imperative to painting?
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