Dissolved Politics and Artistic Imagination. On Kristeva's Revolution and Revolt
DOI:
https://doi.org/10.58519/aesthinv.v5i2.12845Keywords:
psychoanalysis, literature, politics, Julia Kristeva, revolt, revolutionAbstract
In her work, Julia Kristeva uses two disparate concepts: revolution and revolt. In this article we will try to outline these concepts as different approaches to the relations between power, art and psychoanalysis. By placing the concepts of revolt and revolution in dialogue with each other, and by pointing out that the dialogue departs from the notion of experience, we will attempt to reconstruct the important contribution that Kristeva's work offers. Her perspective reveals that artistic expression is linked to a specific kind of politics (dissolved politics). Kristeva's view of literary and psychoanalytic practice is then, we argue, something that can contribute to its realisation, albeit in a limited way.
References
Bakhtin, Mikhail M. 1981. The Dialog Imagination. Austin: University of Texas Press.
Bakhtin, Mikhail M. 1984. Problems of Dostoevsky's Poetics. Minneapolis: University of Minnesota Press.
Beardsworth, Sara. 2005. “From Revolution to Revolt Culture”. In: Tina Chanter and Ewa Płonowska Ziarek (ed.). Revolt, Affect, Collectivity: The Unstable Boundaries of Kristeva's Polis. New York: SUNY Press.
Boncardo, Robert. 2018. Mallarmé and the Politics of Literature: Sartre, Kristeva, Badiou, Rancière. Edinburgh: Edinburgh University Press.
Bové, Carol M. 1984. “Review: The Politics of Desire in Julia Kristeva”. Boundary 2, 12(2): 217-228.
Brandt, Joan. 2001. “Revolt or Consensus?: Julia Kristeva in the 1990s”. L'Esprit Créateur, 41(1):85-96.
Fraser, Nancy. 1992. “The Uses and Abuses of French Discourse Theories for Feminist Politics”. In: Nancy Fraser and Sandra Lee Bartky (ed.) Revaluing French Feminism: Critical Essays on Difference, Agency and Culture. Bloomington: Indiana University Press.
Freud, Sigmund. 2004. Totem and Taboo. London: Routledge.
Kristeva, Julia. 1969. Sèméiotikè. Recherches pour une sémanalyse. Paris: Éditions du Seuil.
Kristeva, Julia. 1977. Polylogue. Paris: Éditions du Seuil.
Kristeva, Julia. 1980. Desire in Language. New York: Columbia University Press.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. New York: Columbia University Press.
Kristeva, Julia. 1984. Revolution in Poetic Language. New York: Columbia University Press.
Kristeva, Julia. 1986. “Women's Time”. In: Toril Moi (ed.). The Kristeva Reader. New York: Columbia University Press.
Kristeva, Julia. 1987. Tales of Love. New York: Columbia University Press.
Kristeva, Julia. 2000. The Sense and Non-Sense of Revolt: The Powers and Limits of Psychoanalysis. (Vol. 2) New York: Columbia University Press.
Kristeva, Julia. 2002a. Intimate Revolt: The Powers and Limits of Psychoanalysis. (Vol. 2) New York: Columbia University Press.
Kristeva, Julia. 2002b. Revolt, She Said. Cambridge: The MIT Press.
Lewis, Philip E. 1974. “Review: Revolutionary Semiotics. Diacritics”, 4(3):28-32.
McAfee, Noëlle. 2014. “Inner Experience and Worldly Revolt: Arendt’s Bearings on Kristeva’s Project”. Journal of French and Francophone Philosophy - Revue de la philosophie française et de langue française, 21(2):26-35.
Oliver, Kelly. 2005. “Revolt and Forgiveness”. In: Tina Chanter and Ewa Płonowska Ziarek (ed.) Revolt, Affect, Collectivity: The Unstable Boundaries of Kristeva's Polis. New York: SUNY Press.
Sjöholm, Cecilia. 2005. Kristeva and the Political. London: Routledge.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Lenka Vojtíšková
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Note: up to volume 4 issue 1, an incorrect copyright line appears in the PDFs of the articles.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
