A Review of Sherri Irvin, Immaterial: Rules in Contemporary Art

Sue Spaid

doi:10.58519/aesthinv.v5i2.13537

A Review of Sherri Irvin, Immaterial: Rules in Contemporary Art

Authors

Sue Spaid University of Dayton, Ohio

DOI:

https://doi.org/10.58519/aesthinv.v5i2.13537

Keywords:

rules, display, participation, conservation

Abstract

I don't think abstracts are needed for reviews.

Author Biography

Sue Spaid, University of Dayton, Ohio

Since 1984, Belgium-based philosopher Sue Spaid, Ph. D., has been active in the artworld as a curator, art writer, university lecturer, and museum director. Spaid, who writes regularly for HArt, was on the Contributors Board for artUS, where she published 65 articles between 1997 and 2010. She has organized over 100 exhibitions for artist-run spaces, galleries and museums, most notably “Green Acres: Artists Farming Fields, Greenhouses, and Abandoned Lots” (2012) and “Ecovention: Current Art to Transform Ecologies” (2002). While Executive Director at the Contemporary Museum, Spaid published A Field Guide to Patricia Johanson’s Works: Proposed, Built, Published and Collected.

References

Sherri Irvin, 2022, Immaterial: Rules in Contemporary Art", Oxford: Oxford University Press.

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Published

2023-01-31

Issue

Vol. 5 No. 2 (2022): Special Issue: Arts, Ontology, and Politics. Guest edited by Jan Bierhanzl (with Arthur Cools)

Section

Reviews

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How to Cite

“A Review of Sherri Irvin, Immaterial: Rules in Contemporary Art”. 2023. Aesthetic Investigations 5 (2): 225-28. https://doi.org/10.58519/aesthinv.v5i2.13537.