Middlebrow modernism in film(theory): Visconti’s Senso (1954) vis-à-vis Diamant-Berger’s La madone des sleepings (1955). RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, [S. l.], v. 9, n. 1, p. 89–101, 2015. DOI: 10.18352/relief.909. Disponível em: https://testplatform.openjournals.nl/relief/article/view/URN%3ANBN%3ANL%3AUI%3A10-1-117144.. Acesso em: 23 nov. 2024.