Self-portrait with animals in the works of Olivia Rosenthal et Nastassja Martin
DOI:
https://doi.org/10.51777/relief13465Keywords:
Nastassja Martin, Olivia Rosenthal, self-portrait, autobiography, sociopoetics, zoopoetics, anthropologyAbstract
Adopting a sociopoetical perspective, this article proposes to question the contemporary variations of the self-portrait and their effects in the literary field on the basis of a comparative study between Que font les rennes après Noël ? (2010) by Olivia Rosenthal and Croire aux fauves (2019) by Nastassja Martin. In addition to being published by the same publisher (Verticales), these two texts combine differently the characteristics of two genres often described as antagonistic, the autobiography and the self-portrait. They stand out even more by their questioning of animal otherness, resulting in forms of hybridization with multiple challenges.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 David Vrydaghs
This work is licensed under a Creative Commons Attribution 4.0 International License.
Tous les articles dans RELIEF sont publiés en libre accès sous la licence Creative Commons Attribution 4.0 International License (CC-BY 4.0). Sous ce régime les auteurs conservent les droits d'auteur mais ils consentent à toute sorte d'utilisation de leur texte pourvu qu'il soit correctement cité.