"A forest of signs"? Cinema and images in Olivia Rosenthal’s work
DOI:
https://doi.org/10.51777/relief13496Keywords:
Olivia Rosenthal, cinema, pictures, antirealism, symbolism, signAbstract
Cinema has had a considerable impact on Olivia Rosenthal's texts in the 2010s. In this article, it is less a question of returning to the themes in themselves, which are carried by these filmic references, than of reflecting on their reflexive dimension within the poetics of the writer. In particular, they bear witness to her refusal of the realistic illusion. But, beyond filmic images alone, we will ask ourselves whether the use of images in general does not make Rosenthal's work a "forest of signs". The suggestive part that they convey disturbs the meanings and nuances the documentary and literalist aspect that tends to be emphasized in the writer's texts.
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Copyright (c) 2022 Fabien Gris
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