"Neither too far nor too close : the distance I need to write". A conversation with Olivia Rosenthal

Author(s)

  • Morgane Kieffer Jean Monnet University

DOI:

https://doi.org/10.51777/relief13504

Keywords:

Olivia Rosenthal, interview, fieldwork, fiction of the self, performance

Abstract

This dialogue takes place in a broader collaboration with Olivia Rosenthal, centered around the preparation of this issue. During the past year, the two of us organized a workshop for senior Bachelor students of the University of Saint-Étienne, coupled with a public meeting in a local bookstore (March 16-17th, 2022). The following conversation was held via email. It starts with Olivia’s latest published book, Un singe à ma fenêtre (Verticales, august 2022), and emphasizes the melancholy that perspires from the investigation lead by its narrator about the 1995 Tōkyō terrorist attacks with sarin gaz. This project brings back traumas and guilt that were buried inside the narrator herself as much as the witnesses she interviews during her investigation. The historical dimension intersects with a much more personal level, and the list of attacks that each character remembers, in the end, points to an intimate cartography of grief and loss. This conversation aims to reflect upon both the singularity of this last book and the work of Olivia Rosenthal in the long run. Which problematics does it keep coming back to, in its various forms? How does the work evolve in its forms and ambitions, in its discourse too on a more meta level? As it discusses twenty-three years of writing and creating, this interview shouldn’t be read as a conclusion but more as an occasion to stir up renewed questions, and perhaps new ways to think about the writer’s work.

Our warmest thanks to Olivia Rosenthal, who has been a great companion in this investigation.

Author Biography

  • Morgane Kieffer, Jean Monnet University

    Morgane Kieffer is an associate professor in 20th and 21st century French literature at the Jean Monnet University in Saint-Étienne. She’s currently working on a book about the renewal of contemporary ‘romanesque’, both from a formal and narratological point of view and as a contemporary “symptom”, addressed – maybe encouraged – by academics and literary critics. In addition to this first field of interest, her research focuses on contemporary French literature from a generic and formal perspective (as is the case with the ‘romanesque’) but also from an epistemological point of view (to question the relation between literature and politics, for example). She recently co-directed La Machine à histoires. Le Romanesque dans les écritures contemporaines (2022).  Other work can be found in journals such as L’Esprit créateur, Littérature, Études Françaises, Roman 20-50, Relief, Sites, Fixxion, amongst others.

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Published

2022-12-19

How to Cite

“‘Neither too far nor too close : the distance I need to write’. A conversation with Olivia Rosenthal” (2022) RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 16(2), pp. 148–159. doi:10.51777/relief13504.