Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication
DOI :
https://doi.org/10.18352/relief.542Mots-clés :
publisher's role, gender analysis, Grimms' "Goosegirl", cultural constraints, children's drawingsRésumé
Fairy tales that have been illustrated with a single image apiece are themselves generally a commercial enterprise, whose content and design must be conceived in a broadly acceptable mode in order to sell. Second, the selling process assumes a profit motive. Third, it can be shown that the single illustration mode results in projecting an individual illustratorʹs vision of a tale. Fourth, when large numbers of illustrations in single‐illustration mode exist in commercially produced books, the aggregate range of their content comprises the range of culturally‐acceptable images for a given story. (A methodology for analyzing fairy tales with multiple images will be introduced separately at the end of this article.)Téléchargements
Publiée
08-12-2010
Numéro
Rubrique
II. Nouvelles fonctions de l’illustration pendant le long XIXe siècle
Licence
Tous les articles dans RELIEF sont publiés en libre accès sous la licence Creative Commons Attribution 4.0 International License (CC-BY 4.0). Sous ce régime les auteurs conservent les droits d'auteur mais ils consentent à toute sorte d'utilisation de leur texte pourvu qu'il soit correctement cité.
Comment citer
« Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication » (2010) RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 4(2), p. 142–157. doi:10.18352/relief.542.