The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006)

Auteurs

  • Anna Backman Rogers

DOI :

https://doi.org/10.18352/relief.762

Mots-clés :

Coppola, Costume, Ritual, Rite of Passage, Anachronistic, Adolescence

Résumé

Marie Antoinette does not pertain to any of the narrative tropes and standards set by the conventional historical drama. Rather, it is a film about the politicisation of the female body. Its focus on the rite of passage of a young girl into adulthood in an extreme situation is, in effect, highly political both in its effort to convey a specifically female subjectivity and in its eschewal of a more traditional treatment of its subject matter.

Biographie de l'auteur

  • Anna Backman Rogers
    Anna Backman Rogers completed her PhD at the University of Edinburgh. She currently works as a postdoctoral researcher in the cinema studies department at Stockholm University. She researches and writes on American Independent Cinema, feminist cinemas and film philosophy.

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Publiée

09-10-2012

Numéro

Vol. 6 No 1 (2012): Films d’histoire/Transculturalités

Rubrique

Articles – dossier thématique

Licence

Tous les articles dans RELIEF sont publiés en libre accès sous la licence Creative Commons Attribution 4.0 International License (CC-BY 4.0). Sous ce régime les auteurs conservent les droits d'auteur mais ils consentent à toute sorte d'utilisation de leur texte pourvu qu'il soit correctement cité.

Comment citer

« The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006) » (2012) RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE, 6(1), p. 80–97. doi:10.18352/relief.762.